Shivas Waterfront Temples

Shiva’s Waterfront Temples

  • 13 Sep
    14 Sep
    2023

    The Indian Temple

    Subhashini Kaligotla

Shiva’s Waterfront Temples

Image: Shiva Temple, Virupaksha Temple Complex, 733-745 CE, Pattadakal, Karnataka, India. Photo: Caleb Smith.

 

The temple cluster at Pattadakal has long attracted attention. A UNESCO World Heritage site and the coronation place of the Chalukya kings, its vibrant, red sandstone temples are an innovative blend of Dravida and Nagara architectural styles, a synthesis largely unique to the Deccan Plateau. This lecture series situates Pattadakal’s riverfront world in Deccan India’s cosmopolitan milieu to showcase how architects and awestruck visitors experienced the site during its eighth-century heyday.

Session 1: Introducing Pattadakal 
                    The major temples and their riverfront locale

Session 2: Pattadakal’s Creators 
                     How inscriptions and sculpted surfaces bring medieval creators to life

Session 3: Making Pattadakal 
                     Miniature buildings as design and communication technologies

Session 4: Experiencing Pattadakal
                     Pleasure and architectural innovation in play

 

This Lecture series is part of the Postgraduate THE INDIAN TEMPLE Course 

Registration Fee for this Public seminar series only: Rs. 2,000/-, Students*: Rs. 1000/-  | Registrations open at Jnanapravaha institute for physical (In-person) attendance only

For registration kindly visit: The Jnanapravaha insititute in Fort, Mumbai. Payments accepted in cash and cheque only. 

*For Student discount kindly bring your student ID for verificaton.

Please read the Terms and Conditions carefully before registering

 

Duration -

September 13, 14, 2023

Timing: 6:30 - 8:45 pm IST

Registrations Closed

Subhashini Kaligotla

Subhashini Kaligotla

Subhashini Kaligotla is an Associate Professor of Indian and South Asian Art at Columbia University. She is author of Shiva’s Waterfront Temples: Architects and Their Audiences in Medieval India—a work that places the ingenuity of medieval Deccan Indian creators at its center. Her current book project, entitled Seeing Ghosts, explores South Asian death cycles through visual media. The research is concerned with the moment of death and its representations, mortuary rituals such as embalming and cremation, memorials of various types, including for those who embraced death, as well as afterworlds and their inhabitants.